This site is a public-facing notebook for the post-production side of Fallen Angels: the practical work of shaping a live theatre capture into an edited screen version.
The useful line is process, not private production business. I can write about editorial judgment, design systems, broadcast-safe graphics, workflow decisions, and what a theatre capture asks from an editor. I will not publish client emails, rate details, unpublished delivery instructions, private file links, or source-media specifics.
What the blog will track
- How the edit balances a live line cut against a more intentional post cut.
- How stage comedy changes when the camera can choose reactions and timing.
- How the key art palette translates into title cards, lower thirds, and end credits.
- How PBS-aware delivery habits affect choices long before final QC.
The production itself gives the blog a clear visual grammar: Coward Red, Lavender title type, Champagne Gold accents, and the warm tungsten world of David Rockwell’s Deco set. Those references are already collected in the local design kit, so the site can start with the actual project language instead of a generic portfolio skin.
What I am trying to preserve
The editorial problem is not just coverage. It is tone. Fallen Angels depends on speed, elegance, danger, and control. The cut has to keep the theatre event alive while making decisions the live line cut could not make in the moment.
That is the territory this blog is for.